elainemcooper
Lisa Lickel
or How I Ended Up as editor of OtherSheep magazine
This whole thing started, really, when I wrote my second novel. Ever. Little did I know I was writing spec fiction when I dreamed up this story about a woman from a very special community that practiced the spiritual gifts in modern times. Grace had the gift of healing. Only it didn’t always work the way she thought it should The spec side of my book hit home when Jeff Gerke was the only acquisitions editor interested, and he couldn’t convince his then-employers to consider it. I thought everybody believed in miracles. I learned we do—just in unique ways. And it’s okay.
A few years later I joined a group at Goodreads.com and traded book reviews with a very friendly, perky author. Little did I know I would enter the world of Christian vampires. I may not be the most conservative of Christians, but I always considered Bram Stoker on the other side. There are witches in the Bible, sure, even space travel and time travel and one could argue steam punk and monsters, but only the oddest of oddballs hint at human bloodsuckers. But there they were in this crazy novel, bigger than life and sentimental and…saved. Very cool. Thus began a friendship with Ellen C. Maze, whose story you’ll read in the January 2012 edition of OtherSheep.
As an editor I’m sitting on the other side of the rejection table. It’s totally no fun. I was forced to start learning how unfun it is when I joined a contest site, Clash of the Titles, as a host and had to pick contestants (from anonymous entries), telling some yes and others no. Talk about stressful. I also edit a literary magazine for the Wisconsin Writers Association. I seldom tell the members who submit an outright no, though it happens upon occasion. Mostly I can tell the authors about another market, or to fix something in the story and try again. Creative Wisconsin is a membership magazine, dedicated to showcasing membership work. It’s a joy to work with these people, many of whom are hobbyists and simply delighted to see their work in print. There’s no contracts, no money, no hard sales. I get to use my skills as a desktop publisher and I’m happy. I even get a little salary.
Written World intrigued me from the start up. I’d been invited to submit short stories to Harpstring which was fun for me during a downtime in my schedule (AKA in between novels). When I learned that OtherSheep was looking for a lead editor strictly for the magazine, I applied. And here I am. While Creative Wisconsin is more of a service, OtherSheep is a business. This leads me to ponder my role as an editor. Am I strictly in acquisitions mode? Right now OtherSheep is so new that I’ve had to go out and seek submissions, listening to pitches, and figuring out where the audience is and how to reach it. After some conversation during a company publisher panel, I feel good about deciding how I want to work with authors. Some of the unsolicited submissions are simply not spec fiction with faith elements. Those are easy to decline because I have a concrete reason. After teaching seminars on how to submit work to publishers and seeing this side, I truly understand the frustrations of authors simply not caring to check first to see if the publisher is a good fit for their work. Some of the submission are truly rough, but sparkle – those diamonds just waiting to be cut. And there I see it. If an author is willing to learn, to work with me, I am willing to mentor. I may not always have this time to show the author what I need, what they need to do, but right now I’m in a good place, sifting for diamonds and sparkling with the joy of finding those rare teachable authors.
